About the end of 18th
century, Mr. Mai Tu Thua arrived at Binh Luong Tay village to break
fresh ground of 4 hectares along Tra Cu canal (Thu Thua canal) and set
up a small kiosk to trade. His kiosk was crowded with merchandising
boats for trading and exchanging. And then more and more people came to
settle around. Therefore, Mr. Mai Tu Thua started to build roads, boat
landing stage and a market with cottage roof for trading. Now it becomes
Thu Thua market.
The
population around market area has gradually increased, Mr. Mai Tu Thua
asked for permission to separate from Binh Luong Tay village and to
establish new village Binh Thanh. He also donated a piece of land to
build village temple – the precusor of Vinh Phong temple today. Legend
has it that, Mr. Mai Tu Thua contributed a lot in the dredge of Tra Cu
canal in 1892 and took part in Le Van Khoi rising up and then
disappeared. Therefore, his property including the market and land was
confiscated and his wife and children were exiled. Binh Thanh village
was also changed as Vinh Phong village and the communal house in the
village was also moved. Until the French colonialism had occupyed the
South and Nguyen dynasty did not have power in the South, the people
around Thu Thua market decided to raise money to build Vinh Phong
communal house in 1886 and brought the votive table of Mai Tu Thua to
worship with 7 Chinese characters: ''ancient sage Mai Tu Thua-Chu Thi''.
After many times of restoration, most recently in 1998, Vinh Phong
temple still reserved architectural style of late Nguyen dynasty.
Currently, Vinh Phong temple is located in 1132m2 area with 3
layers: stage for classical drama art, stage for practicing martial
art, and central chamber facing Thu Thua canal. The central chamber was
built in ancient style with 4 pillars structure, double tiled-roof, a
pair of glazed terra-cotta dragons (in the position of two dragons
fighting over a pearl) located on roof-top. Inside the central chamber,
decoration is solemn with 2 layers of balcony, 3 altars, Long Dinh and
Lo Bo. External balcony is the masterpiece of Thu Dau Mot craftsmen
group dated back to Mau Ngo year (1918). Craftsmen expressed traditional
themes on this balcony such as the four supernatural creatures (dragon,
unicorn, tortoise and phoenix), four flowers (apricot, orchid,
chrysanthemum, bamboo) and Eagle back to its nest. Above the balcony,
there are wood frames structured in carved style with many patterns
(Dragon and Horses, Apricot and Deer, Scrolling book, Fish becoming
Dragon and Bat …very sophisticated. In front of the main altar is an
ancient balcony dated Binh Tuat (1886). With the same theme of four
flowers, yet details on this balcony was formed in strong lines and
shapes with style of late 19th century. The special thing
about this balcony is the skillful art of vermilion and gilt. Over more
than a century, yet this balcony has still been splendid as the early
day. The central chamber of Vinh Phong has 2 ancient precious vermilion
lacquered and gilded wood horizontal panels and 8 pairs of vertical wood
panels dated Binh Tuat (1886) and Binh Thin (1916). Most of parallel
sentences are written by the way that 2 first words of 2 parallel
sentences are combined as name of Dinh or Thu Thua. Especially, the
parallel sentences in the altar of Mai Tu Thua: